نمایش راز دروازه ها نخستین نمایش ریکاردو شایگان در تهران
A note about Shaygan's painting by / This double identity (painting/door, door/painting), coupled with the inborn electricity of geometric patterns and their affinity for symbolic language, lends the works their spiritual dimension — an otherness that is, in the best sense of the term, disorienting. At the same time. the patterns themselves, their designs and persistence, are natural reminders of predecessors: Malevich’s Suprematist works, Mondrian’s Lozenges, Josef Albers’s Homage to Squares, and, in particular, Frank Stella’s Sacred Geometry. It is this sacredness that draws both artist and onlooker back to their beginnings. Each door – astonishing in the varieties of patterns that exist througho.